{"id":762,"date":"2026-05-26T22:06:58","date_gmt":"2026-05-26T22:06:58","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=762"},"modified":"2026-05-26T22:06:58","modified_gmt":"2026-05-26T22:06:58","slug":"why-online-show-creators-deserve-recognition-by-awards-voters-youtube-is-tv-as-far-as-im-concerned","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=762","title":{"rendered":"Why Online Show Creators Deserve Recognition by Awards Voters: \u2018YouTube Is TV as Far as I\u2019m Concerned\u2019"},"content":{"rendered":"
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\n\tNow more than ever, YouTube is the new television. Watching YouTube on a bigger screen is defining the TV experience for a new generation. Six popular creators \u2013 Sean Evans, Brittany Broski, Cleo Abram, Julian Shapiro-Barnum, Kareem Rahma and Michelle Khare \u2013 are bringing the best of YouTube to TVs around the world. <\/p>\n

Read more Billy Joel\u2019s Madison Square Garden Concert Film Sets Blu-ray Release<\/a><\/p>\n

\n\tAmid the current cord-cutting era and shift in the future of media, these creatives share why working outside the traditional television model is right for each of them. They also discuss how YouTube gives them room to produce original IP and why they make content they want to see in the world.<\/p>\n

\nHot Ones <\/strong><\/p>\n

\n\tTraditional late-night programs were once the place to see celebrities in more relaxed fashion. Since its debut online in 2015, \u201cHot Ones,\u201d a spicy chicken wings interview series hosted by Sean Evans, has disrupted the talk series genre and become an in-demand PR stop for A-list talent. In 2024, amid massive viewership, virality and pop culture clout, the digital show successfully petitioned to be included as an awards contender in the outstanding talk series category.<\/p>\n

\n\t\u201cAs absurd as it is on paper, we kind of forget that we\u2019re on a TV show after we eat a couple wings. It becomes, in most cases, this, usually, very positive experience where two people are connecting while the Scovilles are increasing and the wings are on fire,\u201d Evans says of the format he co-created with Chris Schonberger. \u201cI wouldn\u2019t say that the audience was fully on board in the beginning, but from the first couple of episodes we\u2019d have guests stand up on the tables and do laps around the studio. There was such gonzo chaos in the studio that I knew that the way it would translate to video would be unlike anything anyone\u2019s ever seen before. So I knew right from the beginning that if we could get people to watch, that they\u2019d stick around.\u201d <\/p>\n

\n\tOn the differences between traditional talk series and YouTube, Evans notes that his interviews are more free-flowing. \u201cWhen you\u2019re on a show, you\u2019ve got to fill nine-and-a-half minutes or 11 minutes, and then you always have to go to commercial. Thankfully, with \u2018Hot Ones,\u2019 we don\u2019t go to commercial \u2014 our only transitions are to the next wing. You can build a lot of that energy, that rhythm, that rapport, that sense of trust. I\u2019m very grateful that the show just goes wherever the wings take us.\u201d <\/p>\n

\n\tAnd asked what his younger self would think of his popular show, Evans shares, \u201cHonestly, I think I would just love \u2018Hot Ones\u2019 as a kid because it\u2019s almost adjacent to a cartoon in the watch experience.\u201d<\/p>\n

\nRoyal Court <\/strong><\/p>\n

\n\tHost Brittany Broski, who has over 2.6 million followers on her multiple YouTube channels \u2014 \u201cRoyal Court\u201d alone has over 1.17 million \u2014 is a skilled conversationalist who offers pop culture royalty a delightful platform. How do we know? They voluntarily show up in a crown and cape, joining her on a set that looks like a Renaissance Faire meets \u201cGame of Thrones.\u201d<\/p>\n

\n\tOver 150 episodes, Broski genially but insightfully chats with a wide range of guests, from fellow YouTubers to A-list talent. \u201cIt\u2019s my goal and mission to ask [stars] questions that are so stupid, but so actually insightful, that they have no choice but to be like, \u2018Yeah, let me answer that because I\u2019ve never thought about it before,\u2019\u201d she says. <\/p>\n

\n\tSince kicking off in 2023, when \u201cRoyal Court\u201d began in a spare bedroom, Broski has already booked her dream guest. But one of her outstanding goals is retraining awards voters on their ideas of what great TV can be, as a contender this year in the outstanding variety series category. As broadcast TV shrinks its late-night programming, she thinks it\u2019s time for audiences to recognize that the format needs rethinking. <\/p>\n

\n\t\u201cLate-night was built and fine-tuned for a straight white guy to do it,\u201d Broski says, adding that because of that, switching up the format has rarely worked well for anyone outside that demographic. She wanted to \u201cswitch it up a little bit\u201d and so she has. \u201cI didn\u2019t really see a place at the table for myself with late-night as it stands,\u201d she says. \u201cSo I made my own late-night. That\u2019s all that is.\u201d<\/p>\n

\nChallenge Accepted <\/strong><\/p>\n

\n\tYouTube creators wear multiple hats: host, producer, talent booker, cameraperson. But Michelle Khare has not only been the main force behind the production of \u201cChallenge Accepted\u201d (which she co-created with Garrett Kennell) since 2018 \u2013 for 67 episodes, she\u2019s put herself through incredible physical and mental challenges while racking up over 5.42 million subscribers.<\/p>\n

\n\tBut a recent challenge nearly broke her. \u201cI\u2019m not a quitter,\u201d she says. \u201cBut a moment that I considered quitting was a few months ago [when] I attempted seven marathons on all seven continents in one single week\u2026. The community around me pulled me across all seven finish lines.\u201d Audiences love her results. After all, the results aren\u2019t what viewers might expect from a so-called competition series. It\u2019s not about winning or losing; \u201cIt\u2019s more about the commitment while you\u2019re doing it,\u201d Khare explains. \u201cI want to show that failure is a noble and fair and honorable exit to a challenge and that deserves praise and success too.\u201d <\/p>\n

\n\t\u201cChallenge Accepted,\u201d which is contending for outstanding hosted nonfiction series or special, could never be squeezed into a traditional TV production schedule: Episodes tend to take three months to shoot and involve 45 days of editing. That makes YouTube the ideal platform for Khare\u2019s passion project. \u201cThis is an opportunity to elevate independent storytellers and democratize the stories we tell,\u201d she says. \u201cIt is not lost on me that there are not many people who look like me who submit to my category\u2026 So even if I don\u2019t make waves, I really hope someone else is inspired to do that in the future.\u201d<\/p>\n

Read more \u2018CBS Evening News\u2019 Back Over 4 Million Viewers for First Time in Weeks<\/a><\/p>\n

\nHUGE* if True <\/strong><\/p>\n

\n\tFor \u201cHUGE* if True,\u201d Cleo Abram has explored Antarctica, showed off her frozen eggs and floated in zero G. When she gets her teeth into a topic, the journalist aims to ensure everyone else understands it. <\/p>\n

\n\tNo wonder she\u2019s attracted nearly 8 million subscribers to her YouTube channel and amassed nearly 2 billion views since launching the series in 2023. Each episode is unique, prepped over several hours and weeks spent in the field before editing begins. Viewers clearly recognize the effort and resulting quality, which is why it\u2019s being considered for outstanding short form nonfiction or reality series.<\/p>\n

\n\t\u201cI think there\u2019s a chance that we can help show people ways in which they can improve their lives, show them ways that they could help other people\u2019s lives get better. Our mission is to help people see better futures so they can help build them,\u201d says Abram, who believes that the \u201cbest, most rigorous, highest quality science journalism is happening on YouTube.\u201d <\/p>\n

\n\tShe\u2019s also trying to expand what\u2019s possible to create for streaming TV. \u201cI couldn\u2019t find this show anywhere, so I decided to just go and make it myself,\u201d she says, adding that each show has to be journalistically rigorous, visually stunning and genuinely optimistic. \u201cIf it doesn\u2019t give you the feeling that you can participate in the future, then I haven\u2019t accurately done my job,\u201d she says. New episodes premiere this spring and summer.<\/p>\n

\nCelebrity Substitute <\/strong><\/p>\n

\n\tOn \u201cCelebrity Substitute,\u201d a room full of elementary school kids may be an A-lister\u2019s toughest crowd yet. Thankfully, host Julian Shapiro-Barnum helps them create heartwarming interactions. \u201cThe magic trick we\u2019re trying to pull off is how can we show you, the viewer, a different side of these people you know and love,\u201d he says. \u201cWhen you are with kids, you have to drop your act. You just have to; otherwise, it does not work.\u201d<\/p>\n

\n\t\u201cCelebrity Substitute,\u201d a contender for outstanding short form nonfiction or reality series, launched after the success of \u201cRecess Therapy,\u201d which also features kids being their unfiltered selves on camera. Initially, \u201cRecess Therapy\u201d failed to get picked up as a TV show, so Shapiro-Barnum pivoted and found YouTube as the best home. <\/p>\n

\n\tIn 2024, \u201cCelebrity Substitute\u201d premiered exclusively on YouTube, and viewership grew steadily as Shapiro-Barnum and co-creators Benj Pasek and Justin Paul molded their show. \u201cWe didn\u2019t have a network breathing down our neck, forcing us to lock a format,\u201d he says. \u201cWe had this grace to figure out the show.\u201d <\/p>\n

\n\tSeason 3 premieres on June 2, and two weeks later on June 17, Shapiro-Barnum will launch a new late-night talk show, \u201cOutside Tonight,\u201d on \u2013 where else? \u2013 YouTube. It\u2019s billed as the first late-night show tailor-made for the internet age. \u201cThere\u2019s so many people putting their heart and soul into this platform because there are not the same barriers,\u201d he says. \u201cWhat\u2019s hurting a lot of mainstream media is all these barriers of entry and these inabilities to take chances.\u201d<\/p>\n

\nSubwayTakes<\/strong> <\/p>\n

\n\tKareem Rahma\u2019s \u201cSubwayTakes,\u201d a contender for outstanding short form comedy, drama or variety series, is an underground YouTube hit in more ways than one. Since 2023, Rahma\u2019s show, with over 760 episodes, has literally taken place on the New York City subway, where he largely speaks with regular folks using a microphone held up by a MetroCard.<\/p>\n

\n\t\u201cIn an entertainment landscape filled with wall-to-wall celebrities, there was an opening to make the everyday person a celebrity,\u201d says the Cairo-born, Minnesota-raised creator. <\/p>\n

\n\tSo, while yes, he does personally book celebrities, he also slots janitors, taxi drivers, massage therapists and indie comics. The show has no standing set and no control booth. Because it\u2019s filmed on a running, live subway train, the public also feels comfortable weighing in. \u201cHaving people from the train jump in and talk to us \u2026 always makes the show better,\u201d says Rahma, who has amassed over 633 million views on YouTube. \u201cIt goes back to the original thesis that everyone has something to say and everyone is interesting if you give them a platform.\u201d <\/p>\n

\n\tAnd speaking of platforms, Rahma has great admiration for the way YouTube has revolutionized television. \u201cI don\u2019t have to worry about global rights. I don\u2019t have to worry about if my family abroad can watch it \u2026 because of rights issues. It\u2019s just there,\u201d he says. \u201cYouTube is TV as far as I\u2019m concerned.\u201d<\/p>\n

Read more \u2018Love Story\u2019: From Pulp to Lenny Kravitz, How Music Supervisor Jen Malone Built the Show\u2019s Perfect \u201990s Soundtrack<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Sean Evans, Brittany Broski, Cleo Abram, Julian Shapiro-Barnum, Kareem Rahma and Michelle Khare detail why they make content on YouTube<\/p>\n","protected":false},"author":1,"featured_media":761,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[43],"tags":[774],"class_list":["post-762","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biz","tag-youtube-partner"],"yoast_head":"\nWhy Online Show Creators Deserve Recognition by Awards Voters: \u2018YouTube Is TV as Far as I\u2019m Concerned\u2019 - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=762\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why Online Show Creators Deserve Recognition by Awards Voters: \u2018YouTube Is TV as Far as I\u2019m Concerned\u2019 - 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