{"id":848,"date":"2026-05-27T23:08:45","date_gmt":"2026-05-27T23:08:45","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=848"},"modified":"2026-05-27T23:08:45","modified_gmt":"2026-05-27T23:08:45","slug":"the-testaments-finale-elisabeth-moss-creator-on-agnes-huge-twist-daisy-parentage-theories-and-whats-planned-for-season-2","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=848","title":{"rendered":"\u2018The Testaments\u2019 Finale: Elisabeth Moss, Creator on Agnes\u2019 Huge Twist, Daisy Parentage Theories and What\u2019s Planned for Season 2"},"content":{"rendered":"<div>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\n<em><strong>SPOILER ALERT:\u00a0<\/strong>This story contains spoilers for the Season 1 finale of \u201cThe Handmaid\u2019s Tale\u201d sequel series, \u201cThe Testaments,\u201d now streaming on Hulu.<\/em><\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=846\">Gayle King Says Oprah Refused to Shut Down Rumors They Were \u2018Secretly Gay\u2019 On Air: \u2018It Used to Really Bother Me\u2019<\/a><\/p>\n<p>\n\tThe first season of \u201cThe Testaments\u201d came to an end Wednesday with its Season 1 finale. And blessed be the fruit, because <em>Variety<\/em>\u2018s got the answer to what is sure to be your very first question: When is Season 2 of \u201cThe Handmaid\u2019s Tale\u201d sequel series coming?<\/p>\n<p>\n\tAccording to creator and showrunner Bruce Miller, \u201cwe\u2019re writing the show, we\u2019re breaking the season.\u201d<\/p>\n<p>\n\tThere, now that you know that much, we can rewind to where we find Agnes (Chase Infinti), Daisy (Lucy Halliday) and their friends by the end of the season. For Daisy and Agnes, the answer is very much a \u201cdon\u2019t let the bastards grind you down\u201d attitude, per their stone-cold-determined walk with Shunammite (Rowan Blanchard) through the halls of Aunt Lydia\u2019s (Ann Dowd) school for Gileads\u2019 plums. Despite the fact Agnes has lost her marriage prospect and is back at school as a plum, and Daisy gave up her chance to escape out of Gilead and decided to go back in undercover, knowing that she is now a plum herself and will be ripe for marriage, they\u2019re all in this together.<\/p>\n<p>\n\t\u201cWhen I see in that finale, those three girls walking down the hall, I get chills talking about it,\u201d \u201cThe Testaments\u201d guest star and executive producer Elisabeth Moss told <em>Variety<\/em>. \u201cIt makes me cry every time I watch it. It\u2019s so inspiring, it\u2019s so emotional, it\u2019s so exciting. So the fact that we have all that, that we have them dealing with these gigantic stakes, and then at the same time, having everyday, normal concerns that a teenage girl or boy would go through is, that\u2019s life.\u201d<\/p>\n<p>\n\tNo one has ever been in Agnes\u2019 position before, returning to the plum school after already moving into \u201cgreen\u201d status upon getting their period, and then being just steps from the altar with an elite commander. She sacrificed it all to get her best friend Becka (Mattea Conforti) into a marriage with Agnes\u2019 Guardian-turned-Commander crush, Garth (Brad Alexander). She\u2019s paying the price for telling her fianc\u00e9, Commander Weston (Reed Diamond), about how Dr. Grove (Randal Edwards) assaulted her (leaving her as \u201cdamaged goods\u201d to a future husband) in order to gain enough sympathy from him that he would save Becka from her fate for murdering her father.<\/p>\n<p>\n\t\u201cFor Agnes, she was the golden child, and now she\u2019s a loser,\u201d Miller said. \u201cShe was Agnes MacKenzie, she was like Chase Infiniti. She\u2019s tall and beautiful and fantastic. And now someone dumped her, and no one knows why. We\u2019re also trying to show in these worlds, in high school in general, those things ebb and flow. In high school, when you move from one clique to another clique, it can get you killed. So, I think at the end, where you have Agnes coming in, she\u2019s saying, \u2018Boy, I\u2019m a loser, this has never happened before.\u2019 But the next thing you see is her walking down the hallway, absolutely full of strength. So, it may never have never happened before, and I think Lydia is worried, but I think Agnes is going to make something out of this little bit of independence that she\u2019s found.\u201d<\/p>\n<p>\n\tAgnes has also learned an important fact that is certainly contributing to that bit of independence: her mother is Mayday leader June Osborne (Moss). And though she didn\u2019t come right out and tell Lydia she knows that, Agnes gave Lydia enough of a hint to show something has begun simmering in her.<\/p>\n<p>\n\t\u201cThat\u2019s what the show is about \u2014 it\u2019s about the pot boiling over,\u201d Miller said. \u201cWhen she realizes who her mother is, that turns up the temperature of that pot quite a bit \u2014 but it\u2019s still just burbling, it doesn\u2019t explode. This is a woman who is raised in Gilead, those are her rules, she\u2019s not going to turn around one day and say, \u2018This is awful. We should change it.\u2019 You really want her to become who is on a hot fire, bubbling away, but you never know when she\u2019s gonna start to pop.\u201d<\/p>\n<p>\n\tRead more from <em>Variety<\/em>\u2018s interview with Miller and Moss about \u201cThe Testaments\u201d Season 1 finale and Season 2 plans below.<\/p>\n<h5>\n\t\t\u201cThe Handmaid\u2019s Tale\u201d and \u201cThe Testaments\u201d author Margaret Atwood makes a cameo in the Season 1 finale \u2014 not her first in the \u201cHandmaid\u2019s Tale\u201d TV universe. How did this one come about and why did you pick the prison guard role for her?\t<\/h5>\n<p>\n<strong>Bruce<\/strong> <strong>Miller: <\/strong>She comes to the set, and it\u2019s like Elvis. Everybody comes, and everybody wants to see her and touch her. People from the office are there, everybody\u2019s there. And she\u2019s totally game. She wants to put on the outfit, she wanted a line this time. She wants to do everything. She has lots of things that she could be doing that are very exciting, but she really does love it, and we love having her there.<\/p>\n<p>\n\tAnd we had developed these new characters, this new class of women who were these prison matrons, and they just perfectly seemed to fit. Even the outfit seemed to fit her so well that when we told her that she was playing a new kind of character\u2013 I always thought she was going to balk, but she was totally excited.<\/p>\n<p>\n<strong>Elisabeth<\/strong> <strong>Moss:<\/strong> I\u2019m just glad she didn\u2019t try to slap Aunt Lydia. I don\u2019t think that would have gone over too well. I remember that she can land one.<\/p>\n<h5>\n\t\tLooking at how the season ends for Becka: This is marriage to Garth, who unbeknownst to her is a member of Mayday, is both the best possible outcome for her after murdering her father. But still a loveless option.\t<\/h5>\n<p>\n<strong>Miller:<\/strong> You\u2019re absolutely right about Becka, that she\u2019s in what, on paper, is the perfect situation, or as good as the situation gets there. And that was the whole point. June was treated so poorly, she was a slave, she was pulled out of her life, she was taken away from everything that meant anything to her. These girls are feted, they\u2019re at the absolute top, and what you\u2019re trying to show is misogyny still sucks, top or bottom. They still don\u2019t have freedom, they don\u2019t have autonomy. And I think by moving Becka into wifehood, into a more powerful position, and showing that even at the top you can\u2019t be yourself, even at the top you can\u2019t be happy. The thing Becka for me was that we wanted to show the inside of that life.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=844\">\u2018Last Seen\u2019 First Look: Patrick Brammall Stars as a Detective in Apple TV\u2019s New Thriller\u00a0(TV News Roundup)<\/a><\/p>\n<h5>\n\t\tJune was used sparingly this season, but played a large role in the finale. And now she\u2019s learned Agnes is in school with Daisy and has even more of an interest in Daisy\u2019s mission in Gilead. We know she\u2019s still important to the plot, but how exactly how much do you see June being in the show moving forward? \t<\/h5>\n<p>\n<strong>Miller: <\/strong>I\u2019ll take whatever I can. Unfortunately, she\u2019s mortal and I do think we have to be mindful, but Lizzie is a working person, she has other jobs, other creative people she\u2019s responsible for, and she has a family that she\u2019s responsible for. So just because she has a week free, it is not my week to take. Understanding everybody\u2019s life holistically, I will, of course, take her and put her on the show and use those scenes wonderfully whenever I get them.<\/p>\n<p>\n<strong>Moss<\/strong>: That\u2019s very, very kind, Bruce. On my end, I never feel a sense of anyone breathing down my neck. We have an incredible group of people who are so good at what they do. He has an incredible writers\u2019 room. I did a lot of work on \u201cHandmaid\u2019s\u201d for a long time \u2014 and Bruce was one of the first people that taught me about delegating as a producer, and how important that is. So, I will say though, I just had about eight months off, and that\u2019s the longest amount of time I\u2019ve had off since before \u201cMad Men,\u201d so there is a sense for me of being able to have a little bit more juice in the tank now. Coming off \u201cHandmaid\u2019s,\u201d I signed up for it \u2014 it was elective, but it was a lot. It was directing the last two while I had a child who was less than one years old. And then I was in post, and then promoting the show, and then going into \u201cImperfect Women.\u201d It was a different time. I\u2019m looking forward to this season being able to really dive back into that world again.<\/p>\n<h5>\n\t\tYou say you\u2019re writing Season 2 now. How soon do you expect to be back in production and when would you hope to release?\t<\/h5>\n<p>\n<strong>Miller: <\/strong>Well, we\u2019re working with scientists to keep them younger, we\u2019re depending on science. I think MGM and Hulu and Disney are all very mindful of the time space continuum, and the fact that no matter how much we want our young women, they need to grow up. So they\u2019re mindful to try to incorporate that into moving quickly. It\u2019s just hard to move quickly, and it\u2019s a tough time for the business. It\u2019s a tough time for them to make decisions and put deals together, and they\u2019re doing the best they can. <\/p>\n<p>\n\tI don\u2019t want to work too fast and make it a shitty show. I want to work slow and make it a great show, and so I\u2019m always fighting for a little more time here and there. Any little tiny incremental improvement you can make in the show, from the script to the carpet in the offices to any single thing you can make a tiny little bit better, that\u2019s how the show gets great.<\/p>\n<div>\n<div>\n<h5>\n\t\tFans have been theorizing all season about who Daisy\u2019s parents could be, after it was confirmed explicitly on the show and by timeline changes from \u201cThe Testaments\u201d book that it\u2019s definitely not June, and she is not Nichole. Are you planning on revealing Daisy\u2019s real parents, beyond that she was born in Gilead and smuggled out. Will you be revealing that by the end of the series?\t<\/h5>\n<p>\n<strong>Miller:<\/strong> I made that decision early on. In \u201cThe Testaments,\u201d Agnes and Nichole (Daisy) are never in the story together. They\u2019re not in school together, she\u2019s not a pearl girl, they don\u2019t have any of the story that they have in the show. So I don\u2019t want to tell the story of Daisy and Agnes not being together \u2014 that didn\u2019t seem like an interesting story. I would have loved to make it work out, and Nichole does exist in the story, but it just didn\u2019t work out timing-wise. You would have made a bad television show that was accurate, and I didn\u2019t want to do that.<\/p>\n<p>\n<strong>Moss:<\/strong> There are things that come up with making a TV show. For example, there was this question that Bruce and I had about the finale, about whether or not June knew where exactly Agnes was. Did she know that Daisy and Agnes were in school together? How much did she know? And I was originally stuck on, \u201cI think she would know, because June knows everything. She\u2019s all knowing.\u201d But he convinced me, and rightly so, thank God, that she wouldn\u2019t know exactly, because they hide her. <\/p>\n<p>\n\tOf course they hide her, she\u2019s pretty valuable, so they would definitely not want June to know where she was. So we buy that could happen. And he convinced me that it was because then we got that moment on camera where June realizes that Daisy knows Agnes, and it is so much more interesting to see that moment on camera on that dock than it would have been to \u2014 in a literary sense, that may have played great in a novel, to have her know something. But that you want to see on camera, you want to see the actor realize it. Sometimes there\u2019s things like that we get to do. We actually get to discover things in a way that maybe in the novel would make sense, but I want to see the actor do it.<\/p>\n<\/div>\n<\/div>\n<h5>\n\t\tSo will you eventually reveal who Daisy\u2019s parents are?\t<\/h5>\n<p>\n<strong>Miller: <\/strong>It\u2019s very weird when you have the audience think, \u201cWhy don\u2019t they tell us this?\u201d and you actually said it out loud.<\/p>\n<p>\n<strong>Moss:<\/strong> No, you want to see it! You want to see it. Unless you see it, you don\u2019t believe it.<\/p>\n<p>\n<strong>Miller: <\/strong>So I did try to keep that June is very much a mother figure and a protector to Daisy, and someone who has kept an eye on her growing up, so very much a mother figure. Where she comes from, we have a few ideas. It depends on a few things, but we definitely have ideas. And I\u2019ve loved the conversation about it online. Oh my God, it\u2019s been fantastic. People are so clever. I wish I could have kept the book exactly the way it was, but \u2026 <\/p>\n<h5>\n\t\tAnd this leaves room to show the \u201creal\u201d Nichole as she grows up and give her a different storyline?\t<\/h5>\n<p>\n<strong>Miller: <\/strong>Oh, absolutely. Right now, she\u2019s a child, and June is living as a single parent, or a shared parent, in Toronto. So she has this whole life, in addition to being a Mayday spy. But absolutely, just the idea that Agnes finds out that she has a sister, can you imagine? It\u2019s one thing to find out your mother is this notable terrorist, it\u2019s another thing to find out you have someone out there. So I think that it hopefully will be that we will have some of the elements that the book had, in terms of that realization and that connection, and the existence of a whole other half of your heart existing.<\/p>\n<p>\n<strong>Moss:<\/strong> And we haven\u2019t even gotten to the question of, who\u2019s your dad? Of Agnes wondering who her father is. I mean, so much fun.<\/p>\n<p>Read more <a href=\"https:\/\/relocationobserver.com\/?p=842\">James Bond Game \u2018007 First Light\u2019 Launches, Featuring Original Theme by Lana Del Rey and David Arnold (Gaming News Roundup)<\/a><\/p>\n<p>\n<em>This interview has been edited and condensed.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The Testaments&#8221; creator Bruce Miller and star Elisabeth Moss break down the Season 1 finale reveals and Season 2 plans.<\/p>\n","protected":false},"author":1,"featured_media":847,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[858,44,232,859],"class_list":["post-848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tv","tag-bruce-miller","tag-elisabeth-moss","tag-just-watched","tag-the-testaments"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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