{"id":963,"date":"2026-05-29T13:38:22","date_gmt":"2026-05-29T13:38:22","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=963"},"modified":"2026-05-29T13:38:22","modified_gmt":"2026-05-29T13:38:22","slug":"maxime-saada-denies-there-is-a-blacklist-for-those-who-signed-petition-against-vincent-bollore-but-warns-canal-group-wont-ignore-fascism-claims","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=963","title":{"rendered":"Maxime Saada Denies There Is a \u2018Blacklist\u2019 for Those Who Signed Petition Against Vincent Bollor\u00e9, but Warns Canal+ Group Won\u2019t Ignore Fascism Claims"},"content":{"rendered":"
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\n\tCanal+ boss Maxime Saada sought to clarify his controversial comments regarding signatories of a petition criticizing Vincent Bollor\u00e9\u2019s growing influence over French media, insisting there would be \u201cabsolutely no question of hunting [them] down\u201d while defending Canal+\u2019s role as one of the French film industry\u2019s biggest financial backers.<\/p>\n

Speaking at Canal+\u2019s general assembly on Wednesday, Saada said his remarks made during the Cannes Film Festival had been distorted and pushed back against reports suggesting the company was creating a blacklist. It was Canal+ Group\u2018s second general assembly since being listed as a standalone banner, and splitting from its former parent company Vivendi, at the London stock exchange. <\/p>\n

The controversy erupted after roughly 600 film professionals, including Juliette Binoche and Arthur Harari, signed a petition raising concerns over Canal+\u2019s acquisition of a 34% stake in a leading French exhibition chain, UGC (with a potential move to full control by 2028); as well as highlighted the broader concentration of media power tied to Bollor\u00e9\u2019s empire and a rightward editorial shift across its outlets in the run up to the 2027 presidential elections in France. Amplifying concerns over Bollor\u00e9\u2019s ideological agenda is the presence of CNews, France\u2019s equivalent to Fox News, within Canal+ Group. The banner was booed and whistled at Cannes screenings whenever the Canal+ logo appears onscreen.<\/p>\n

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\n\tThe backlash intensified after Saada said at Cannes that Canal+ would no longer work with signatories of the petition, prompting accusations of blacklisting and threats of legal action from some syndicates (La The Human Rights League and CGT Spectacle). Following Saada\u2019s comments, the petition swelled to more than 3,500 signatures, drawing international support from Javier Bardem, Mark Ruffalo and Ken Loach, among others.<\/p>\n

\n\tStanding before Canal+ Group shareholders today, Saada sought to minimize the scale of the clash, noting that France\u2019s film industry employs roughly 250,000 people and arguing that only \u201cbetween one and two percent\u201d had signed the petition. \u201cApproximately 99% did not recognize themselves in a petition that attacked Canal+,\u201d Saada said.<\/p>\n

Earlier this week, Cyrille Bollor\u00e9 \u2014 who succeeded his father Vincent at the helm of the Bollor\u00e9 Group in 2019 \u2014 also rejected accusations that the family was pursuing a political agenda, dismissing claims that the group was advancing a \u201cneo-fascist\u201d project as \u201ca giant lie.\u201d<\/p>\n

Against that backdrop, Saada used Canal+\u2019s annual general assembly to defend both the broadcaster\u2019s reputation and its longstanding role as strong backer of French cinema, while making clear that attacks against the company would not be ignored.<\/p>\n

\u201cWe experienced this as a profound injustice,\u201d Saada said. \u201cI have never spoken about a blacklist.\u201d<\/p>\n

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\n\t\u201cThere is absolutely no question of hunting down technicians who signed the petition and refusing to finance films on which they work. That would be absurd. We have a basic conscience \u2014 we are not going to target people who depend on their work to earn a living. That was never the issue, and it never will be.\u201d<\/p>\n

Saada nevertheless acknowledged that filmmakers\u2019 relationship with Canal+ would now factor into the company\u2019s decision-making process.<\/p>\n

\u201cI want to be transparent: I will add one new dimension to how we assess projects,\u201d Saada said. \u201cThe question will be: what regard do the people behind a project have for Canal+? Have they actively caused harm to Canal+?\u201d<\/p>\n

\u201cIf someone knocks on your door after calling you a fascist and asks you for money, you may choose not to give it,\u201d he continued. \u201cWe will apply the same logic.\u201d<\/p>\n

The executive framed the controversy as an attack on Canal+ itself, rather than on Bollor\u00e9, whose family group remains Canal+\u2019s reference shareholder with a 30.4% stake. While he officially retired in 2022,it\u2019s well known that Bollor\u00e9 (now 74) occasionally attends green-lighting committees at Canal+ Group, although his influence over decisions has seldom been proven apart from the notorious case of Fran\u00e7ois Ozon\u2019s \u201cBy the Grace of God\u201d which wasn\u2019t bought by the channel.<\/p>\n

\u201cWhen the words \u2018fascist vision of the collective imagination\u2019 are placed alongside the Canal+ name, it is the integrity and reputation of Canal+\u2019s teams \u2014 and my own \u2014 that is being attacked,\u201d Saada said.<\/p>\n

Saada also forcefully defended Canal+\u2019s track record in financing French cinema, arguing the company had played a crucial role in sustaining the industry over the last two decades.<\/p>\n

\u201cFor the ten years I have been directly in charge, we have supported approximately 100 films per year \u2014 around 1,000 films in total, at least half of which would not have been made without Canal+,\u201d Saada said. <\/p>\n

\n\t\u201cOur contractual obligations stand at approximately 100 million euros per year \u2014 but we have voluntarily committed to 160 million euros annually. This is not a matter of obligation; it is Canal+\u2019s deliberate choice to support French and European cinema. We will continue to do so, in all its diversity,\u201d he continued, citing films such as Boris Lojkine\u2019s \u201cSouleymane\u2019s Story\u201d about a Guinean delivery biker in Paris who is seeking asylum, and Dominik Moll\u2019s \u201cCase 137\u201d about the yellow vest protests in France. Under its latest three-year agreement, Canal+ pledged to invest \u20ac480 million across three years until the end of 2027. The next round of negotiations for a new pact between producers and Canal+ is believed to have already begun and could be impacted by the ongoing conflict. <\/p>\n

Beyond addressing the controversy, Saada used the shareholders meeting to outline Canal+\u2019s broader international expansion and content strategy, including an announcement that StudioCanal and Working Title had secured rights to adapt \u201cThe Divorce,\u201d the new novel by bestselling author Freida McFadden, whose \u201cThe Housemaid\u201d became a global hit. He also teased a slate that includes a remake of \u201cThe Italian Job,\u201d series adaptations of \u201cArmy of Darkness,\u201d \u201cLe Cercle Rouge\u201d and \u201cNon-Stop,\u201d as well as a new live-action \u201cAsterix\u201d movie that will be directed by Jonathan Cohen and produced by Hugo Selignac\u2019s Chi-Fou-Mi Productions. <\/p>\n

Saada also detailed Canal+\u2019s plans following its acquisition of African pay-TV giant MultiChoice, revealing an aggressive growth strategy aimed at reducing equipment costs, expanding the company\u2019s sales network and hiring 1,000 additional sales staff across the continent, as well as ramping up investment in African storytelling. The company is behind a pair of African films that won prizes at Cannes: Marie-Cl\u00e9mentine Dusabejambo\u2019s \u201cBen\u2019imana\u201d which became the first African film to win the Cam\u00e9ra d\u2019Or, and Rafiki Fariala\u2019s \u201cCongo Boy,\u201d which won a performance prize in Un Certain Regard for Bradely Fiomona.<\/p>\n

Read more \u2018Game of Thrones\u2019 Play \u2018The Mad King\u2019 Unveils Full Cast for Royal Shakespeare Company World Premiere<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Canal+ boss Maxime Saada denies blacklisting petition signatories, defends the group’s record in backing French cinema and outlines global strategy.<\/p>\n","protected":false},"author":1,"featured_media":962,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[991],"class_list":["post-963","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-canal-group"],"yoast_head":"\nMaxime Saada Denies There Is a \u2018Blacklist\u2019 for Those Who Signed Petition Against Vincent Bollor\u00e9, but Warns Canal+ Group Won\u2019t Ignore Fascism Claims - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=963\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Maxime Saada Denies There Is a \u2018Blacklist\u2019 for Those Who Signed Petition Against Vincent Bollor\u00e9, but Warns Canal+ Group Won\u2019t Ignore Fascism Claims - 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