{"id":984,"date":"2026-05-29T19:07:39","date_gmt":"2026-05-29T19:07:39","guid":{"rendered":"https:\/\/relocationobserver.com\/?p=984"},"modified":"2026-05-29T19:07:39","modified_gmt":"2026-05-29T19:07:39","slug":"how-the-hacks-finale-managed-to-shoot-in-the-louvre-after-last-years-heist-made-it-seemingly-impossible","status":"publish","type":"post","link":"https:\/\/relocationobserver.com\/?p=984","title":{"rendered":"How the \u2018Hacks\u2019 Finale Managed to Shoot in the Louvre After Last Year\u2019s Heist Made It Seemingly Impossible"},"content":{"rendered":"
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\n\tFrom the very beginning of \u201cHacks,\u201d creators Lucia Aniello, Paul W. Downs and Jen Statsky knew where they wanted the show\u2019s finale to take place: Paris. At the top of their wishlist, of course, was filming at the Louvre.<\/p>\n

Read more Court Formally Clears Hernan Lopez, Former Fox TV Exec and Wondery Founder, of Bribery Charge<\/a><\/p>\n

\n\tAfter all, it\u2019s the best-known art museum, and houses the world\u2019s most famous painting, the Mona Lisa. So there was no question, they needed the Louvre to be in the \u201cHacks\u201d farewell \u2014 the perfect place for Deborah Vance (Jean Smart) and Ava Daniels (Hannah Einbinder) to bond.<\/p>\n

\n\t\u201cWe scouted the Louvre, and let me tell you, it was freaking incredible,\u201d says cinematographer Adam Bricker. \u201cWe were alone in the Louvre for an afternoon on a day they were closed \u2014 and oh, it\u2019s cool. That scene was going to be so pivotal for us!\u201d<\/p>\n

\nThe series finale of \u201cHacks\u201d ends with a shot of Deborah and Ava walking down the Las Vegas strip, with big smiles as they plan a new comedy special. But in real life, the final scene filmed for the entire series took place at the Louvre, where a tiny crew, the producers and Smart and Einbinder experienced the show\u2019s final wrap. <\/p>\n

\n\tWhat made it all the more special and emotional was the fact that they got to film in the Louvre at all.<\/p>\n

\n\tProduction at the museum had been confirmed \u2014 but then, on Oct. 19, four masked thieves marched into the museum \u2014 in broad daylight, as it was teeming with visitors \u2014 and in fewer than eight minutes, ran out with some of the French Crown Jewels.<\/p>\n

\n\t\u201cWe were going to shoot at the Louvre, and things seemed to be going fine,\u201d Aniello says. \u201cAnd then there was the heist.\u201d<\/p>\n

\n\tBricker says it was around the time the show was shooting its \u201cAmazing Race\u201d episode when the production news out of Paris turned grim. \u201cWe heard that it just wasn\u2019t going to be possible for us to shoot the Louvre, and we should start looking for backups,\u201d Bricker recalls. \u201cIt was such a bummer, but film production in general is really challenging. This show has had its challenges, and\u00a0 things have always sort of broken the right way for us.\u201d<\/p>\n

\n\tAt the Louvre, protocols were being tightened after the heist. Says Statsky: \u201cIt was essentially a question of management and what their policies were, and what they were going to allow in terms of outsiders coming in and doing things that are not typical day-to-day operations at the Louvre. So obviously in terms of letting in a film crew, it was a no-go.\u201d<\/p>\n

\n\tThe production team began scouting other museums and landed on the Palace of Versailles, which is nice \u2014 but it was no Louvre.<\/p>\n

\n\tFrom there, the show went back and forth for weeks: Maybe a deal could be worked out with the Louvre, maybe not. A possibility of returning to the Louvre would emerge, but then a new hiccup would squash it: The Louvre employees went on strike over working conditions and pay. Then, the Louvre president got in hot water (and indeed, eventually resigned in February). But then another opening emerged \u2014 enough that \u201cHacks\u201d canceled its deal with Versailles, angering that museum in the process.<\/p>\n

\n\t\u201cI don\u2019t think the three of us are allowed at Versailles ever again,\u201d Statsky says.<\/p>\n

\n\tAs management at the Louvre couldn\u2019t make up their minds, the clock was ticking. The remaining \u201cHacks\u201d crew in Paris was scheduled to leave, but Aniello, Downs and Statsky convinced studio Universal TV and their streamer, HBO Max, to extend their trip \u2014 even without knowing if they\u2019d ever end up inside the Louvre.<\/p>\n

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\n\tThat included Smart and Einbinder, who also stuck around while the crew waited. \u201cSo we\u2019re hanging around Paris, and by \u2018hanging around,\u2019 I mean we\u2019re editing from a hotel room the entire time,\u201d Aniello says. \u201cWe owe a huge credit to HBO Max and Universal, and our production staff, who really trusted us a lot to get this made and done. For us to say, \u2018Hey, we\u2019re going to be here in Paris until they let us shoot this crazy scene,\u2019 is asking a lot of production. I cannot honestly speak highly enough about our corporate overlords.\u201d<\/p>\n

\n\tIn the end, the Louvre had met its match in Aniello, Downs and Statsky, who wouldn\u2019t take no for an answer.<\/p>\n

\n\tSays Bricker: \u201cWe just kept pushing, and Jen, Paul and Lucia were relentless in their pursuit of protecting the creative integrity of the show. Finally, we learned we were going to be able to shoot in the Louvre \u2014 but under very strict limitations. We roll deep, and there are so many incredible artists that work on the show . Our crew size is in the hundreds, and we were only going to be allowed to bring 12 people to the Louvre if we were going to shoot this.\u201d<\/p>\n

\n\tThat meant getting creative. \u201cAll\u00a0technical stuff that we were figuring out, like what the approach would be on set with the lighting,\u201d Bricker says. \u201cBut it was ultimately a question of how many hands do we have to carry this stuff in in one go. Usually when we arrive on set, there are these incredible riggers that have pre-set things for us. But here, like, everything would need to be hand carried: the camera, the lenses, the lights, just by the 12 people that we\u2019re going to be able to enter.\u201d<\/p>\n

\n\tBricker says it felt like being back in film school: \u201cPaul was carrying a lens case, and he, Jen and Lucia were going to have a makeup bag, and do touch-ups on Jean and Hannah if they were needed. Everyone came together to make this really special thing work out.\u201d<\/p>\n

\n\tSays Smart: \u201cThey were like a dog with a bone, and they just kept begging and begging and the museum finally said, \u2018OK, but you can only shoot in this little section of the museum while the museum is open.\u2019 We were originally going to have the run of the place after hours. They said, \u2018No, while the museum is open, you can shoot in this these two areas.\u2019 So we faked the scene with the Mona Lisa.\u201d<\/p>\n

\n\tIndeed, Smart and Einbinder had to be superimposed in front of the famous painting in that scene. The museum was open as they shot, but the \u201cHacks\u201d team was allowed to be in a cordoned-off area to shoot. \u201cHacks\u201d First AD Jeff Rosenberg structured the afternoon to make sure it would work.<\/p>\n

\n\t\u201cWe had enough time to make the scene special, and to do multiple takes,\u201d Bricker says. \u201cBut we\u2019re always moving very quickly, and we\u2019re very efficient. That\u2019s\u00a0how we\u2019ve been working for seven years.\u201d<\/p>\n

\n\tThe producers all held the clapboard at one point to commence action on a scene \u2014 and Bricker says each of their slates was \u201cpretty emotional. And then we finished, and Jeff Rosenberg called wrap, and I told\u00a0 them to keep the cameras rolling. Jen, Paul, Lucia, Hannah and Jean had a big group hug in the middle of the Louvre, and then we all got together. It was very special.\u201d<\/p>\n

\n\tSmart also remembers that scene fondly, as she recalled in Variety<\/em>\u2018s April 8 cover story: \u201cWe said, \u2018I love you,\u2019 and cried\u2026 Me and Hannah, we were the only cast members there, and we\u2019re sitting in this giant room with these 40 foot high paintings. A lot of the Dutch masters. We\u2019re laying on this leather bench looking up at the ceiling, this hallway room with\u00a0huge, high ceilings. And we\u2019re ad libbing. She\u2019s asking me if I\u2019m going to donate\u00a0my body to science. We\u2019re just making up crazy shit. It was kind of fun to end it that way.\u201d<\/p>\n

\n\tAniello says ending on such a quiet note with a skeleton crew felt like a poetic way to go out. \u201cWe started with just the three of us, and then we ballooned into this huge, amazing world of writers and actors and cast and crew and executives and marketing people and post and all these people,\u201d she says. \u201cThen as we are ending the show, we\u2019re wrapping out L.A. crew, we\u2019re wrapping out Vegas, we\u2019re wrapping everyone out, and then it comes back to just being very, very few people again. It was just like a natural way to end it, really.\u201d<\/p>\n

Read more \u2018CSI\u2019\u00a0Creator Anthony Zuiker Developing Cinemalistics,\u00a0an AI-Generated True-Crime App (EXCLUSIVE)<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The ‘Hacks’ series finale managed to shoot in the Louvre, even after last year’s heist made it seemingly impossible.<\/p>\n","protected":false},"author":1,"featured_media":983,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[1013,1014,1015,1016],"class_list":["post-984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tv","tag-hacks","tag-jean-smart","tag-jen-statsky","tag-lucia-aniello"],"yoast_head":"\nHow the \u2018Hacks\u2019 Finale Managed to Shoot in the Louvre After Last Year\u2019s Heist Made It Seemingly Impossible - Relocation Observer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationobserver.com\/?p=984\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How the \u2018Hacks\u2019 Finale Managed to Shoot in the Louvre After Last Year\u2019s Heist Made It Seemingly Impossible - 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