SCAD Savannah Film Festival Returns for 29th Year
SCAD Savannah Film Festival Returns with exclusive screenings, competition films, feature films and more
SCAD Savannah Film Festival Returns with exclusive screenings, competition films, feature films and more
‘Idiots’ writer-director Macon Blair made a buddy comedy with a villain that will shock audiences.
Director Rafael Manuel on his latest film "Filipiñana," and why it's a metaphor for inequality in the Philippines.
Disney+ has set a global distribution deal with The Pokémon Company International that will include a new stop-motion series coming in 2027.
Owen Thiele talks about Adults Season 2, working with Connor Storrie, and diving deep into being nepo grandkid in a show about his life.
SCAD Savannah Film Festival Returns with exclusive screenings, competition films, feature films and more
Paramount's 'Scary Movie' revival takes the top spot in the U.K. and Ireland, while Steven Spielberg's 'Disclosure Day' prepares for launch.
Charades has closed international sales on 'A Man of His Time' following the film’s world premiere Cannes, where it won the award for best screenplay.
Malaysia's MIFFest 2026 runs July 18-25 with 65 films from 35 countries and a lifetime honor for Lee Chang-dong.
Future Frames, a program for young European filmmaking talent, will return to the Karlovy Vary Film Festival next month.
U.S.-based Icelandic producer Sigurjón Sighvatsson to be Honored by Locarno Film Festival.
Aamir Khan headlines LIFF 2026 with a 'Lagaan' anniversary screening, and an Arundhati Roy restoration featuring a young Shah Rukh Khan also screens.
Netflix confirms cast of Korean crime series 'Paper Man,' starring Cho Jung-seok, Park Hae-soo and Claudia Kim, directed by Lee Il-hyung.
Savannah Guthrie says 'I cry every morning on the way to work' while her mother is still missing.
Jason Momoa is leaving "Helldivers," the video game adaptation from PlayStation Productions and Sony Pictures directed by Justin Lin.
Media Partners Asia CEO Vivek Couto previews APOS 2026, framing Asia's streaming shift as a redefinition driven by AI, microdramas and local content.