‘Not Suitable for Work’: Five Unresolved Cliffhangers From Mindy Kaling’s Canceled Hulu Series
A break down of the five biggest things we’ll never find out with “Not Suitable for Work” canceled after one season.
A break down of the five biggest things we’ll never find out with “Not Suitable for Work” canceled after one season.
KimStim has acquired all North American rights to Katharina Rivilis’ debut feature 'I’ll Be Gone in June,' following its Cannes premiere.
Busy Philipps revealed she had a malignant brain tumor removed weeks before she was set to start filming her new CBS show “Cupertino.”
Tyler Perry Studios is launching the new specialty label 'Maxscene,' named after his mother Maxine.
Variety's Marc Malkin remembers his first of many interviews with Dolly Parton.
A break down of the five biggest things we’ll never find out with “Not Suitable…
Adam Driver and James Gray talk about the Cannes premiere of 'Paper Tiger' and how Hollywood abuses artists.
"Law & Order Toronto: Criminal Intent" is bringing in Luke Kirby for Season 4 -- and saying goodbye to original star Aden Young
Director discusses adapting Mieko Kawakami's novel, casting overlooked characters, and finding singular love amid social norms.
Cultpix is streaming AI-generated short vignettes inspired by 1976 erotic photo spreads, with a physical release on BluRay and VHS from Klubb Super 8.
Disney+ has begun production on 'Moving' Season 2 with Ryu Seungryong, Han Hyojoo, Zo Insung and Go Younjung returning.
Movistar Plus restructures content and sports under CEO Alfonso Gómez Palacio, backed by subscriber growth and major Cannes visibility.
The 'Baywatch' reboot will land at Sky in the U.K. and Ireland.
The mentorship program has announced the participants of eight artist residencies taking place across Europe this summer.
Marie Ulven and Anders Danielsen Lie leave a sweetly low-key mark through a shrewd story on mental healing in Eivind Landsvik's 'Low Expectations.'
Mexican Filmmaker Bruno Santamaría Razo Unpacks ‘Six Months in a Pink and Blue Building,’ at Cannes’ Critics’ Week