Francesco Carrozzini on His Venice AI Doc ‘Be Brave’ and Why ‘The Human Has to Come First’ (EXCLUSIVE)
Francesco Carrozzini on his Venice-bound artificial intelligence film 'Be Brave'
Francesco Carrozzini on his Venice-bound artificial intelligence film 'Be Brave'
From scripted series and hit animated shows to historical and timely documentary fare, the Le Havre market offers France’s top-tier TV programs.
DraftKings Taps Kevin Hart, Nick Jonas for Road-Trip Commercial That Touts Wagering, Predictions
Watts will receive the San Sebastián Film Festival’s prestigious Donostia Award during its 74th edition in September.
NBCUniversal and U-Next strike Japan partnership spanning streaming, theme parks and global content distribution.
Francesco Carrozzini on his Venice-bound artificial intelligence film 'Be Brave'
Kenneth Lonergan ('Manchester by the Sea') is set to direct 'Tomorrow Is a Drag' with Aubrey Plaza, Adam Driver, Vanessa Kirby and Matthew Broderick.
'Obsession' director Curry Barker explains cutting a darker, alternate ending and his take on 'Texas Chainsaw Massacre.'
See every song from the opening night of Harry Styles' 'Together Together' tour.
Kristen Stewart on her new Cannes movie 'Full Phil,' playing Woody Harrelson's daughter and being 'so sick' of the Hollywood studio system.
"Club Kid," the heartwarming debut film from Jordan Firstman, has sparked a studio bidding war on the ground at Cannes.
James Cameron says he wants to make 'Avatar 4' and 'Avatar 5' in 'half the time for two-thirds of the cost.'
Chilean filmmaker Patricio Valladares is making his debut in the video game space with an untitled FMV horror title.
Hirokazu Kore-eda's near-future drama about a couple who adopt an infant humanoid premiered in Cannes competition to a 3.5-minute standing ovation.
'Michael' reclaimed the box office crown with $7 million on Friday, and horror newcomer 'Obsession' was close behind with $6.89 million.
In a passionate essay, Vin Diesel on returning to Cannes after 30 years with 'The Fast and the Furious' and defends 'popular cinema' as art.