A doctor who can see the dead becomes the reluctant guardian to a Buenos Aires neighborhood in 'My Sad Dead,' Pablo Larraín's darkly witty grotesque.
Chris Hansen finally took a seat for Lance Oppenheimer's "Primetime," and he was not happy about Robert Pattinson's portrayal of him.
The Israeli-American Council protested the 'NAZA' premiere at NYFF by screening Oct. 7 footage outside Lincoln Center.
Lorena Ros’ 'Up and Running' won best doc and audience awards at Portugal's biggest queer film festival, which saw record attendance
'Tender Loving Care' won big for Mike Leigh and Kate O'Flynn at the San Sebastián Film Festival, as 'La Bola Negra' and 'NAZA' won Audience…
A doctor who can see the dead becomes the reluctant guardian to a Buenos Aires…
Shamrock Capital has raised $813 million for its fourth content fund since 2015 amid high demand for entertainment, sports and gaming library deals.
The rising British star is in Cannes for the first with Clio Barnard's I See Buildings Fall Like Lightning
Channel 4’s CEO gave an update on the scandal surrounding "Married at First Sight" on Wednesday, but denied reports that the show had been canceled.
In his potent feature debut 'Elephants in the Fog,' premiering at Cannes, Abinash Bikram Shah humanizes and empowers Nepal’s Kinnar community.
Beach House Pictures unveils two Fremantle docs: 'Panda School' narrated by Jimmy O. Yang and history film 'Secret Weapons of China's First Emperor.'
The influence of producer Wim Wenders is felt on Katharina Rivilis' eye-catching debut feature 'I'll Be Be Gone in June.'
Dandelooo boards animated film ‘Acorn’s Adventure’, as producer Fabian&Fred reveals first look of 'Cold Heart' director Raman Djafari's fiction debut.
Embracer, who own the IP for 'Lord of the Rings' and 'Tomb Raider,' are spinning off the entities via Fellowship Entertainment, a separate company.
Marco Nguyen and Simon Balteaux talk sex and comedy in their Cannes hit animation ‘Jim Queen' about a gay influencer who suddenly turns straight.
'Iron Boy' director Louis Clichy talks combining realism and fantasy in his latest animation premiered at Cannes' to enthusiastic reviews.