Hayley Kiyoko Wants to Make a Lesbian ‘Pirates of the Caribbean’: ‘Keira Knightley, But Gay’
Queer filmmakers Hayley Kiyoko, Angela Robinson, Adam Shankman and Wash Westmoreland reveal their dream projects.
Queer filmmakers Hayley Kiyoko, Angela Robinson, Adam Shankman and Wash Westmoreland reveal their dream projects.
Author Chloe Gong talks "Eyes of Kings" ending, the debut of "Deadlock" and TV series or film plans for "These Violent Delights."
Michael Barker, co-chief of Sony Pictures Classics, compared the “Obsession” and “Backrooms” summer to the shift caused by “Easy Rider” in the 70s.
Nas, Jeremy Pope, Ashlee Simpson and more toasted Krug's new immersive sound experience at Larabee Studios, which opens to the public Sep.28.
Separated by tragedy on the night they meet, two young people continue their relationship anyway in Fatih Akin's thin but radiantly shot 'Ghost Song.'
Queer filmmakers Hayley Kiyoko, Angela Robinson, Adam Shankman and Wash Westmoreland reveal their dream projects.
Mexican Filmmaker Bruno Santamaría Razo Unpacks ‘Six Months in a Pink and Blue Building,’ at Cannes’ Critics’ Week
Akanga Film Asia acquires Jesse Ball's 'Silence Once Begun' for director Yeo Siew Hua, targeting a 2028 shoot.
SkyShowtime has acquired its first original animation series, family adventure "Hidden Islands."
Tiffany Haddish Gets Dramatic in Two New Thrillers in the Cannes Market
Stephen Colbert hosted a 'Worst of the Late Show' episode, which featured NSFW graphics, cut sketches and a fish-themed musical number.
Trey Parker and Matt Stone visited “Jimmy Kimmel Live!” Tuesday night and brought a little piece of foreskin with them.
The two-time Oscar nominee on his latest film, premiering in competition in Cannes, and what he learned from his near-death COVID-19 experience.
Hafsia Herzi stars in Rudi Rosenberg's Cannes Un Certain Regard entry 'Words of Love,' as a single mother trying to keep her family together.
Premiering in Un Certain Regard at Cannes, Laïla Marrakchi's 'Strawberries' aims to shake up the often formulaic narrative of exploited migrant labor.
With Woody Harrelson and Kristen Stewart locked in a father-daughter hatefest, will Quentin Dupieux's latest bizarro-world lark be his crossover film?