Why A24 Should Treat Olivia Wilde’s ‘The Invite’ as a Major Oscar Contender
Olivia Wilde's "The Invite" should be an a major Oscar contender for A24, with its stellar cast, script and team of artisans.
Olivia Wilde's "The Invite" should be an a major Oscar contender for A24, with its stellar cast, script and team of artisans.
'Supergirl' made $18 million on opening day, but it wasn't enough to beat 'Toy Story 5' for the box office crown.
K. Bhagyaraj, the writer-director-actor who was one of Tamil-language cinema's defining creative figures, died on June 27. He was 73.
Swiss filmmaker Antonin Niclass discusses imagination, teamwork and stop-motion artistry behind ‘Into the Forest.’
'Pinocchio Unstrung' director Rhys Frake-Waterfield on importance of practical effects, teases 'Poohniverse: Monsters Assemble.'
Olivia Wilde's "The Invite" should be an a major Oscar contender for A24, with its…
Kenneth Lonergan ('Manchester by the Sea') is set to direct 'Tomorrow Is a Drag' with Aubrey Plaza, Adam Driver, Vanessa Kirby and Matthew Broderick.
'Obsession' director Curry Barker explains cutting a darker, alternate ending and his take on 'Texas Chainsaw Massacre.'
See every song from the opening night of Harry Styles' 'Together Together' tour.
Kristen Stewart on her new Cannes movie 'Full Phil,' playing Woody Harrelson's daughter and being 'so sick' of the Hollywood studio system.
"Club Kid," the heartwarming debut film from Jordan Firstman, has sparked a studio bidding war on the ground at Cannes.
James Cameron says he wants to make 'Avatar 4' and 'Avatar 5' in 'half the time for two-thirds of the cost.'
Chilean filmmaker Patricio Valladares is making his debut in the video game space with an untitled FMV horror title.
Hirokazu Kore-eda's near-future drama about a couple who adopt an infant humanoid premiered in Cannes competition to a 3.5-minute standing ovation.
'Michael' reclaimed the box office crown with $7 million on Friday, and horror newcomer 'Obsession' was close behind with $6.89 million.
In a passionate essay, Vin Diesel on returning to Cannes after 30 years with 'The Fast and the Furious' and defends 'popular cinema' as art.