‘Far From the Trees’ Director Meritxell Colell on Turning Exile and Endangered Languages Into a ‘Body of Memory’
Meritxell Colell discusses Locarno contender 'Far From the Trees,' a meditation on exile, grief, endangered languages and memory.
Ryan Gosling Was Fired From ‘Lovely Bones’ After Gaining 60 Pounds. Peter Jackson Now Speaks Out: ‘Anytime We Recast an Actor, It’s Actually Our Fault’
Peter Jackson spoke at the Cannes Film Festival about firing Ryan Gosling from 'The Lovely Bones' after the gained put on 60 pounds of weight.
‘Laalo’ Producers Soul Sutra Unveil 12-Film Gujarati Slate at Cannes Film Market, Eye Global Co-Productions (EXCLUSIVE)
Soul Sutra, producers of all-time highest grossing Gujarati-language film 'Laalo,' presents a 12-film slate at Cannes Film Market.
The Oscars’ New Inclusion Rules Wouldn’t Disqualify Any Best Picture Nominee in History. So Why Is Elon Musk Melting Down Over ‘The Odyssey’?
Elon Musk says the Academy's inclusion standards are "DEI lies." Variety ran all 98 best picture winners through them, and none failed to qualify.
Daniel Hong Thriller ‘Dead End’ Lands at EST N8 for Cannes Film Market Launch (EXCLUSIVE)
EST N8 picks up worldwide rights to Chan Chun-hao's debut feature 'Dead End,' starring Daniel Hong.
Five Wild Cannes Market Projects: From Boy-Love Horror-Romance ‘Paint You on My Bed Sheet’ to ‘Deathgasm II Goremageddon’
Five standout Cannes Marché du Film titles: from 'Paint You on My Bed Sheet' to 'Deathgasm II Goremageddon'
China Film Pavilion Returns to Cannes as China Film Co-Production Corporation Presents Over 180 Domestic Films
CFCC hosted screenings of “Shanghai Wonton,” “A Story About Fire” and “It’s OK”
Director Laila Marrakchi on Female-Driven Migrant Drama Strawberries in Cannes:’These Women Are So Strong, So Capable, So Courageous’
Paris-based, Casablanca-born director Laila Marrakchi discusses her female-driven migrant drama 'Strawberries' bowing in Cannes' Un Certain Regard
‘The Station’ Review: A Long-Gestating, Female-Centered Project Set in Yemen That’s Well Worth the Wait
A women-only haven in Yemen’s civil war is the backdrop to a story of siblings clashing in Sara Ishaq's Cannes Critics' Week entry 'The Station.'
Brillante Mendoza Casts Judy Ann Santos, Jeanne Balibar and Stacy Martin in ‘Aid’; Fire & Ice, Ghost City, Human Films Producing (EXCLUSIVE)
Fire & Ice Media boards Brillante Mendoza's 'Aid' with Judy Ann Santos, Stacy Martin and Jeanne Balibar to star.
Grace Caroline Currey to Lead Crime Thriller ‘Dead Miles,’ VMI Launching Sales in Cannes (EXCLUSIVE)
Elevated crime thriller Dead Miles is launching at the market in Cannes with VMI Worldwide