Studiocanal Sets True Crime Art Heist Docu-Series ‘The Paris-Tokyo Job’ With Sunny Side of the Doc Launch (EXCLUSIVE)
Studiocanal sets crime docu-series ‘The Paris-Tokyo Job’ which will launch at Sunny Side of the Doc.
Studiocanal sets crime docu-series ‘The Paris-Tokyo Job’ which will launch at Sunny Side of the Doc.
Trevor Dion Nicholas, Jordan Luke Gage and Samuel Edwards join leads Amy Lennox and Rachel Tucker in the new Young Vic musical.
Andy Serkis and Google's Jon Zepp debate AI's role in storytelling at APOS 2026 media conference.
Romanian director Marius Olteanu returns with his first film since 2019's Berlinale prizewinner "Monsters."
JioStar entertainment CEO Kevin Vaz says commerce will join ads and subscriptions as a key revenue stream at APOS conference.
Studiocanal sets crime docu-series ‘The Paris-Tokyo Job’ which will launch at Sunny Side of the…
Hulu's 'wrong-com' 'Alice and Steve' stars Jemaine Clement and Nicola Walker as a hilarious pair of best friends on the war path.
From smart golf tech and stylish apparel to personalized accessories, these are the best Father's Day gifts for every golfer.
Shawn Hatosy opens up about how 'The Pitt' has changed his life, embracing his Sex Symbol status and recording a Quinn audio erotica drama.
Nadine Zylstra, a media exec who's worked at YouTube, Pinterest and Sesame Workshop, is taking the helm of NPR's content operations.
The captain of Qatar’s first women’s national soccer team on her Tribeca short about breaking cultural taboos tied to women playing this sport.
Anthony Jeselnik will embark on a stand-up comedy tour titled 'Wrath of Man' with all-new material.
Cannes Docs Spotlight and ECAM Forum-bound Argentinian documentary 'The Nights' secures private backing from U.K. player Jane Ray.
The Madrid ECAM Forum-bound ‘Chentian’ by Suha Arraf has added Jordan to its Palestine-Germany co-production set up.
U.K. detective drama series 'Death in Benidorm' and Brazil's 'Emergency 53' will world premiere at the growing Italian Global Series Festival.
Tea Shop Productions on what the success of Obsession means for the company and why YouTube creators shouldn't go straight to $20M studio movies